Cotton Ferox return to Poland

On November 17th, Cotton Ferox will play in Warszawa, Poland, at the Trans-Wizje festival. Incidentally, it was on the same date 12 years ago that Cotton Ferox played live for the very first time (at Fylkingen in Stockholm). To celebrate this magical cycle, Highbrow Lowlife will re-release the first Cotton Ferox album, First Time Hurts, in the digital ether on November 21st. Here’s some information culled from the Polish site: Miejsce: Laboratorium CSW, ul. Jazdów 2, Warszawa Bilety: 55 zł. (do 17 października) / 66 zł. (po 17 października) Start: 17 listopada 2013, godzina 17.00 I also have a text in the most recent issue of the Trans-Wizje magazine, which will be launched on Sunday, about the strange relationship between human beings and dolls: “The eerie and sometimes even terrifying encounter with glassy eyed porcelain dolls or even mute teddy bears, especially when one sees many of them at the same time, clearly distinguishes the thin line between death and magical...

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If you’ve got nothing to hide, hide it well?

Have you given some thought to your own freedom lately? Freedom is certainly not a given, nor is it a “right” that is handed out by some altruistic force larger than life. Freedom is kept up by free people, often at a cost. But as we all know, consciously or not, freedom is the most valuable thing there is. So of course it’s worth it. With that in mind, perhaps it’s relevant to ask yourself why are there morons who can only find compensatory safety in sheepishly repeating what some “think tank” has decided to be the control catch phrase of the season? “If you’ve got nothing to hide, then why are you so opposed to monitoring / surveillance / bugging / increased control?” There’s a logical inconsistency in this, isn’t there? If I don’t say anything, does that inherently imply that I mean No when someone else claims Yes? Of course not. A potential dialogue has been dragged down to the level of Kindergarten coercion...

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New York, New York!

Why is New York such an inspiring place for creative individuals? One could argue that there’s a traditionally will driven atmosphere around, based on entrepreneurship and esteem of achievement. Also, that success is not looked down upon. Sure, these could be seen as American traits in general. But there’s definitely something else buzzing in New York that makes the place very special compared to other grand hubs, and to America in general. I believe one contributing factor is the concept of conducive anonymity. Meaning that people in New York are genuinely interested in what you do but only to the extent that it won’t disturb their own creative goings on. In New York, time is tight and no one wants to waste it on overindulgence in other people’s monomania. Genuine kudos for others, yes, but not to an extent that will hamper your own schedule. When a mutual display has been taken care of, inspirational or not, it’s back to one’s own business. This...

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Precious, precious prurience!

As the development of pulp paper, printing technology and literacy progressed at the turn of the 19-20th century, it very soon became obvious what people wanted to read about: sex & violence. And preferably sex & violence that made “the others” suffer (specifically as in other immigrant groups in the rapidly growing American cities). There was also a thriving underdog cult around that actively idolized criminals – especially if they managed to stay free for long and thereby made fun of the police. Many things were pooled together – the crime cult, prurient interest and/or ditto ill will, the will to make a fast buck in a new medium etc – and suddenly the True Crime phenomenon was born. In a recent tome from mighty Taschen called True Crime: Detective Magazines 1924-1969, we can literally dive into a lurid world of tough men, femme fatales and devious plans to overthrow everything that’s good and decent. Whether based in real crime cases or feverishly creative...

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