Cotton Ferox coming up

Cotton Ferox will play two concerts this spring. The first one will be a special Highbrow Lowlife extravaganza at Fylkingen in Stockholm, Sweden, on Saturday, May 3rd. This was previously booked for March 21st, but has now been catapulted forwards in time. Cotton Ferox will host this audiovisual whopper together with Kroll Splint (SE), Möll & Juel (DK), Bartek Samitowski (PL), Gustaf Broms (SE) and Karl Max (SE). Expect the exceptional! Music, poetry, films, performance, jazz and multicolored ambient in one big jug of synaptic happiness spelled H-I-G-H-B-R-O-W-L-O-W-L-I-F-E. The second concert will be together with UK artist Angela Edwards at the Here To Go 2014-festival in Trondheim, Norway, on Friday, May 30th. This will not be a “traditional” Cotton Ferox concert (if there ever was such a thing), but rather a public voodoo ritual with very specific purposes created by Ms Edwards. There will be other very exciting international acts at the Here To Go 2014 festival...

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Sleaze, please!

John Szpunar’s hefty brick of a book Xerox Ferox: The Wild World of the Horror Film Fanzine takes you on a gloriously sticky memory lane trip to the golden era of Horror- and Sleaze film fanzines. It’s massive (800 pages!), packed with interviews with writers and editors and creates a longing back to an era of a relentless will- and passion-driven love of movies. As such, an invaluable book. Early 80s up until the internet buds of the early 90s. Postal networking and printed matter. The dawn and heyday of cassette culture and home video. VHS collecting and fanzine devouring. Tape trades and xeroxed xeroxes. Every little scrap of Entartete information and outsider esthetics was regarded as gold and jewels in a mainstream 1980s culture that was tasteless and truly horrible beyond belief. Sleazy diamonds in the rough buried deep in the pastel-colored and Stock-Aitken-Waterman-sounding fields of normality manure. It’s hard to describe what...

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The uncommon sense of nonsense

“Do you remember how, when we were children, we’d leaf through picture books and, pretending we could read before the children older than us, fantasize about the images we saw there? Who knows, I thought to myself, perhaps unintelligible and alien writing could make us all free to once again experience those hazy childhood sensations. At the time, the quest for this new alphabet seemed to me to be the most urgent thing that had to be done.” (Luigi Serafini) So, finally, Luigi Serafini’s masterpiece Codex Seraphinianus has recently been re-published by Rizzoli. This masterpiece of creative imagination has never been surpassed since its latest release in 1981. There is simply no other book like it. I don’t think there ever will be either. On page after page we can study exquisite color pencil drawings of weird warps of perception made by Italian architect, artist and designer Serafini between 1976 and 1978. Figurative beauty melts away...

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Handshakes & Mindquakes

Mere frat clubs or real deal-changers on the grand and global scale? Murky conspiracy strategists or beacons of individual liberty? Esoteric dreamers or intelligent architects of human development? The Feral House book Ritual America (by Adam Parfrey & Craig Heimbichner) presents a wonderful and quirky peek into a freemasonic world most of us can only fantasize about. Or… Perhaps you, dear reader, are a mason? Even so, this book is amazing in its abundance of radical and sensational(istic) tidbits and images from a world of secret handshakes and initiatory mindquakes. Perhaps there is an inherent human need to be a part of an order structure, ie a collective with very set rules and regulations that are more concrete than those of society in general? If you have a structure like that, some esoteric bling to dazzle with and promises of something revelatory higher up on the initiatory ladder, you’re in for success. The interesting thing about fraternal orders is that they often claim...

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