One year with Patreon

  One year ago, Vanessa and I decided we’d give Patreon a try. Many of our friends were/are on Patreon, and taking into consideration how much we create and produce, we thought it could be fun to accumulate all of it in this new (for us) and fascinating place. And perhaps even get paid while doing it. Well, so far, so good! Since our inception one year ago, we have apparently posted 273 times (including loads of unreleased music, films, poems, cut-ups, private photos, news, updates, general writings and more). Perhaps this is less than if you’d look at ten years of Facebook or Instagram, but still… The Patreon feed has a more distinct life of its own compared to the other giant black holes of social media narcissism. Why? Because there is a little story here. A kind of very personal history writing. Intimate and uncensored. Genuine. As the messages are directed to our patrons (whom we regard as real friends, given the support angle) it definitely becomes a very personal sphere...

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Rewriting the future – A great new conference!

  Welcome to Re-writing the Future: 100 Years of Esoteric Modernism & Psychoanalysis Registration is now OPEN! Events will take place over 3 days: Thursday – Saturday, May 30 – June 1, 2019. The first two days proceedings will be held at Schloß Pienzenau & the third and final day will be at  Brunnenburg Castle once the home of Ezra Pound, whose grandson Siegfried de Rachewiltz will be joining us. The castles are located in the beautiful mountains of Merano, Italy. Due to the location and venue for this conference, there are a very LIMITED number of tickets (weekend passes only). Get your ticket by paypaling 150 euro to sinclairvanessa AT gmail DOT com Presentations include: Ezra Pound & the Avant-garde The Life and Poetry of H.D. Greek Mythology and Ritual Futurism and Social Consciousness Psychoanalysis as Modernist Sonic Occultism The Fin de Siècle Zeitgeist Austin Osman Spare & Automatic Drawing The Divinatory Paintings of Ithell Colquhoun Poetry as Magic Ezra...

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Happy Endings, Season’s Greetings & Future Meetings

  This year has been another rollercoaster experience, and both Vanessa and I are very happy to end the year at home in Stockholm with no major travels planned any time soon. The entire year of 2018 has been one of major fluxus (the swinging, not the art movement) and it does take its toll eventually. Now we’re finally well situated, and this holiday season is a very nice time to just snuggle up in the library and reminisce about what actually happened. A lot happened. One of the best experiences on a personal level was that my book Occulture – The Unseen Forces That Drive Culture Forward was published by Inner Traditions. I’m very pleased with that collection of essays and lectures, and to have it published by a great publishing company like Inner Traditions was indeed a source of great joy. This also led to an increasing amount of podcasts and other interviews, and I didn’t (and don’t) mind that at all. The main writing task this year has been my second novel. I’m almost...

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Another year seen through the lens of others

  Every year is basically a good film year. Why? Because there will always be more films than you’ll ever have the time to watch (one of the best reasons to believe in/ascribe to reincarnation theories). If there’s not enough stimulation in the contemporary spheres, just backtrack to film history. That said, I found 2018 an unusually good year. This probably just means that I was more attentive and curious. My own revitalized pathology/neurosis vis-à-vis film in general and documentary film in particular simply contributed to a stronger hunger. And to me watching a lot of good stuff. What follows here is not necessarily a best-of-the-year list but just an un-ranked group of films I’ve watched pretty recently this year and that I can highly recommend. All films are either streaming or available on DVD/BluRay (or both). Enjoy! Fahrenheit 11/9 (Michael Moore, USA, 2018) Somewhat predictable but highly entertaining sweep of the post-election American trauma. How a vulgar cretin like...

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