I have no idea why I’ve always had some kind of publishing venture going on in my life. Sometimes it’s been a side hustle, and sometimes a full-time job. But it’s always been there: publishing books as a pathology of sorts. In a way, I think it comes from DIY backgrounds integrated in post-punk- and industrial sub-cultures: if you want your stuff out there, you make it happen by self-publishing. As I have had some of my books published by other publishers, this has obviously not been a stern or rigid attitude. In fact, I would love if all my books were published by others. But I am simply too productive, and so I’m happy to combine these paths into one well-greased highway. And, as most of you know, I do publish books by other authors as well. Financially this has not always been the best choice. Because in the ecstasy of discovering not only your own ideas but also those of other great authors, you tend to forget that marketing should probably constitute half of the investments and...
New Berlin show
Berlin! Don’t miss Antinomian, a great new group show curated by our dear friends Håkan & Annsofie Jonsson of Hugsten. Opens May 25. More info here: It’s the first time I exhibit a Pathography Picture! #studiobaustelle #antinomian #vanessasinclair #carlabrahamsson
A place for all my films
I have now collected my best films in one very easy go-to place: Come see documentaries about #antonlavey #kennethanger #genesisporridge #peoplelikeus #charlesgatewood #gustafbroms #freddiewadling #larssundestrand and some great trippy art films, as well as my first feature film so far: #mysilentlips AND MORE TO COME! For a measly $9 a month you will finally be happy, and you will genuinely support independent filmmaking. THANK YOU!
Cut-ups and magic class begins
Beginning this Sunday the 19th of May, Vanessa and I host another four session class on the Cut-Up technique and its relation to magical practice. Sign up HERE. See you on May 19th, 26th, June 2nd, and 9th. It’s going to be great! The cut-up method was originally discovered by Dada instigator Tristan Tzara. In his 1920 manifesto To Make a Dadaist Poem he teaches us how to create what he called “accidental poems” by cutting words from a newspaper, putting them all into a hat, shaking the contents, and pulling them one by one to create poetry by chance. At the Beat Hotel in Paris in 1958, creative partners William Burroughs and Brion Gysin rediscovered the cut-up method and elaborated upon it, moving from wordplay to audio recording, film, painting, collage, and further iterations. Gysin and Burroughs had been immersed in the magic of Morocco when they spent time with Paul and Jane Bowles in Tangier, and began to see the magical aspects inherent in their cut-up methodology. David Bowie...
